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Kinetic Camera currently has an agreement with WF White International in Toronto, to represent its motion control equipment for rental, exclusively in North America. Kinetic Camera continues to promote all the equipment listed here, and provide technical expertise and consultancy in the area of motion control visual effects. The crew for all our motion control equipment are freelance individuals, not supplied through Kinetic Camera, but recommended by us.
We also service all our own equipment, and do continuous R&D and fabrication of new accessories and complete systems, such as our Sled Head rig and Phantom camera rotator.
In addition we can ship items in from the UK for particular projects, and from our partners in Canada and the USA. Please call us if you are interested in using any of these products in North America.
EQUIPMENT CURRENTLY IN CANADA
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3-Axis Sled Head Rig
Variable head position using our new Cinegrip heavy duty risers.
'Sled-Head' System Details
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Motorized Worral Head
Our Worral pan & tilt head has powerful servo motors
that drive a heavy load, such as a 3Ality Technica Quasar with two Arri
Alexa cameras.
Available as a repeat head with live input, or as part of our SledHead sytem |
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Phantom Camera Spin Rig
Our high speed camera rotator rig which was designed and
built by Kinetic Camera for a specific shot on the feature film 'Max
Payne'. |
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MSA-20 Handwheels
This
unit has three handwheels and two additional controller ports, and can
be used with ANY of our equipment as a precise live control device. |
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Turntables
Two powerful servo-driven turntables, with various platters to take anything up to 1200lbs of load.
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Model Movers
We have a number of servo motors and hardware that can be combined to make custom model movers for specific shots and effects. |
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Accessories
Including 'bloop' timing lights, control devices, measuring and levelling equipment, markers and electronic triggers, etc. |
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Encoding Cranes
We
can encode all types of camera support - cranes, dollies, sliders, etc
and record the motion data for on-set compositing or post-production. |
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